You have the software volume and you have your speaker volume. It's like listening to music on your computer. You have enough headroom for boosting and I'm not at all saying don't boost, but the disadvantage is that you introduce artifacts, distortions, and reduce your resolution by pushing it through the roof instead of freeing up headroom. If you boost too much, you'll end up needing to turn the track down. Why? For one, you've carefully crafted your gain staging in the recording process to cram the most detail into your digital bits. Cutting (dropping the volume) is generally a better option than boosting (increasing the amplitude). In the EQ realm we call these boosting and cutting, respectively. Like any volume knob, you have two choices: up or down. 1) Cutting is Better Than BoostingĪll an equalizer does is let you change the volume on a specific range of frequencies. They are all as important as the previous one. Below are the 23 main tactics to mixing with EQ to massage your song until it sounds just like a release from your favorite artist! 23 EQ Tips To Make Your Equalizer's Head Spin
#Stereo mix plus full how to#
The only battle is knowing how to move the dials to inch closer and closer. Insecurity and second guessing will cause you to destroy what's probably a more-than-acceptable mix.įinding a similar sounding song with an orchestration resembling yours will give you a baseline mix to try to emulate. You first need to know the main methods and approaches, which we offer you here in quick tip fashion.īeyond that, you need to trust your ears. It's nowhere near as scary as it seems on the surface.Įqualization lies somewhere between the realms of art and engineering. With these 23 EQ tips, you'll have a broad overview of what the knobs do and what must be done for your music to rival the professional mixes.
But all of these knobs and settings are staring back and grinning, daring you to even try to understand what they do.
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